| 23th Exhibition |
| Filò Talian: ties that link generations |
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| 22nd Exhibition |
| Between material and immaterial, the beauty: a look about the Bauernmalerei of Dreizehnlinden |
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| 21st Exhibition |
| Passages of time |
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| 20th Exhibition |
| Ethnic visibility of German colonization in São Pedro de Alcântara nowadays |
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| 19th Exhibition |
| Babenberg: a return to the origins |
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| 18th Exhibition |
| Festival of the Holy Spirit at Santo Amaro da Imperatriz |
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| 17th Exhibition |
| Goethe grape and wine: origins, identity and the taste of the new land |
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| 16th Exhibition |
| Ingrid Thaler: the art and tradition of sculpture |
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| 15th Exhibition |
| Westfalen German Folk Dance Group: 20 years preserving traditions |
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| 14th Exhibition |
| Caldas da Imperatriz: 200 years |
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| 13th Exhibition |
| Italian immigrants in south of Santa Catarina: origins, a new homeland and the time that has passed |
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| 12nd Exhibition |
| Bobbin lace: between lacemakers hands that weave, sayings and knowledges of Santa Catarina Island |
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| 11th Exhibition |
| Blacksmith and his work: deific art of forging the matter to sustain the form |
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| 9th Exhibition |
| Laguna city, the place and time: a look in the light of history |
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| 8th Exhibition |
| From clay of soil to the land of the Island imaginary: handicrafts of three Marys |
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| 7th Exhibition |
| Nova Veneza: il lavoro di tanti |
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| 6th Exhibition |
| São Pedro de Alcântara: cradle of German colonization in Santa Catarina |
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| 5th Exhibition |
| Somewhere on Santa Catarina Island |
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| 4th Exhibition |
| Past and present in São Francisco do Sul city, Brazil |
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| 3th Exhibition |
| Narrative in portraits: revisiting a Criciúma that I lived |
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| 2nd Exhibition |
| The muleteers who passed through here: São Joaquim city |
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| 1st Exhibition |
| Dreizehnlinden, eighty years later: a singular perspective |
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